The film is subtle and humane in how it handles the slowly changing cultural and gender dynamics in a traditionally conservative, patriarchal society. Yet, as Wadjda is coming-of-age and learning about the limitations placed on her as a girl, she is obviously negotiating ingenious ways of pushing back against those limitations. This subplot is handled with respect and little judgement though, as it is simply the way things work in this culture. There is a subplot involving a growing rift between Wadjda’s parents while there is clearly a lot of love between both parties, it becomes increasingly clear that her father may be leaving her mother for another woman who could potentially bear him a son (a common practice). It is then that Wadjda hits on the ultimate money-making scheme: there is to be a Koran-reciting contest at her school with a hefty cash prize, and she’s determined to win. Wadjda devises numerous schemes to earn enough money to buy a bike (selling bracelets, making mixes of Western pop songs, delivering clandestine messages between men and women), before getting caught by the headmistress at her school. While it’s not technically illegal for women to own bikes, it is thought of as something that is “dangerous to a girl’s virtue,” and it’s worth noting that this is a society where women are also not allowed to drive their own cars. Wadjda is a smart, spirited 10-year-old girl who wants nothing more than to own her own bike, something that is frowned upon in the Saudi Arabian suburb where she lives. For those unaware of this, this passionate documentary makes for a chilling watch. First-hand accounts by former whale trainers and experts deliver fascinating truths about Tilikum and the species as whole, elaborating on their remarkable intelligence and social behaviors. They are not born as killers, they are turned into them. They are, however, attributable to the fact that the animals are quiet simply driven mad by the unnatural conditions they are subjected to. Similar incidents tend to be covered up by the parks' operators and management. Blackfish is the story of one of them in particular: a bull Orca named Tilikum, who has killed several people as a result of their immoral imprisonment. Orcas still being held captive by marine parks like SeaWorld to perform stunts and to parade around swimming pools to entertain ticket-buying families. You might agree that this issue should be staunchly dealt with once you've watched Gabriela Cowperthwaite's 2013 documentary. Orcas killing people? Saving whales? There was indeed a time when these issues were frontpage news and that might be the reason why this sounds like a 90s cliché to you. 18 Best Streaming Bundles for Cord-cutting.30 Best Live TV Services on Amazon Fire TV for Cord-Cutting.30 Best Streaming Platforms For Under $10.25 Best Cable Alternatives on Roku for Cord-Cutting.30 Best Live TV Streaming Services Right Now.12 Cheapest Live TV Streaming Services for Cord-cutting.60 Best Streaming Services With Free Trial.Most of all, it's nice to see Netflix backing a family movie that's not just full of talking dogs and other hackneyed nonsense so often seen in CG kids' fare. Halfway through this fraught journey, an AI takes revenge on its billionaire creator, and the world is suddenly under duress from smart robots.Ī lot of Spider-Verse's visual touches cross over into this film, too, with 2D annotations and drawings on the already-pretty 3D visuals. Katie Mitchell (Abbi Jacobson) is an aspiring filmmaker who's about to head to college – until her dad, conscious that they've been drifting apart, cancels her plane ticket and insists on a family roadtrip. It's exactly as charming and funny as those movies, too. Originally intended for a theatrical release, Netflix bought this animated movie from Sony and producers Phil Lord and Chris Miller – best known as the minds behind The Lego Movie and 21 Jump Street, and also part of the team behind Spider-Man: Into the Spider-Verse.
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